C7 — dominant seventh
Notes on C: C – E – G – BbFormula: 1 – 3 – 5 – b7In the formula, the numbers count steps of the major scale starting from the note that names the chord; "b" lowers a half step, "#" raises one — and a slash names the bass note.
The dominant chord joins the major triad to the minor seventh (Bb, in C). The third and seventh form a tritone that tends to resolve — C7 pulls toward F.
The same chord on all four instruments
Where to use it: Dominant, blues and any point of strong resolution.
See C7 voicings on the fretboard →See C7 voicings on the fretboard →See C7 voicings on the fretboard →See C7 voicings on the fretboard →
The shapes of C7 don't end on this page — the whole neck holds dozens. In Chord & Fret, you check it note by note, playing any shape as an arpeggio; compare positions with their difficulty marked; and set a capo — the diagrams redraw above it. Start free. Unlock everything with Pro. 100% offline.
Unlock in Chord & Fret →Part of the Sevenths family.