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A7 · Guitar

Say this out loud: "once upon a..." — and stop right there. Uncomfortable, isn't it? The sentence is hanging. That discomfort has a sound: A7 is a sentence without a period. Hit play below.

Listen first

What you just heard

Why does it sound unfinished? Inside A7, two notes are at odds: C# and G. Play the arpeggio again, no rush and catch the second and the last note — the distance between them is the tritone, the tensest interval tonal music knows. A and E keep the house standing while those two argue inside it. And an argument, you know, demands a resolution.

Now it's your hands' turn

On the guitar, six strings give the chord room to breathe — some positions use them all, others ask you to mute the lowest ones. So grab the first position below — 3 open strings to help you; the position marked with ⭐ is the easiest to play. Now the experiment that explains this chord better than any explanation: play A7, count to three, then play D. Felt the door close? Do it again. That relief is the reason this chord exists.

A7 · 2fr, x 0 2 0 2 0A7 · 2fr12×AEGC#E
× 0 2 0 2 0
A7 · 2fr, 0 0 2 0 2 0A7 · 2fr12EAEGC#E
0 0 2 0 2 0 ⭐
A7 · 2fr, 5 0 2 0 2 0A7 · 2fr312AAEGC#E
5 0 2 0 2 0

1 more shape of this chord on the neck

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Precision Tuner — Before you play these shapes, get in tune — chromatic tuner and reference tones · try it in Chord & Fret

Save the positions below for when the blues calls: over there, this chord is the house language.

Left-handed? Mirror's right hereA7, x 0 2 0 2 0A712×AEGC#E

What is A7?

A7: A Major with Seventh. The notes are A, C#, E, G (fixed-do: La, Do#, Mi, Sol) — the degrees 1–3–5–b7.

Where this chord lives

Its job is fixed: A7 is a dominant, and dominants live as VII7 in B minor, V7 in D major. Plainly: where it enters, the song is about to leave the room. A chart full of 7th chords is a song that won't sit still.

Transpose & Capo — Need it in another key? Move the whole chart and find the easiest capo · open in Chord & Fret

Identify Chord — Found a shape on your own fretboard? The app names it back · use it in Chord & Fret

Where it tends to go

Treating A7 as the home chord (I) of its key, it usually moves toward the pre-dominant (Bm / D) or the dominant (E / G#°) — and the dominant pulls back home. It's a tendency, not a law.

When you want to go further

For soloing, A Mixolydian (A B C# D E F# G · 1 2 3 4 5 6 b7: the major scale with a lowered seventh — the blues accent); A Lydian dominant (A B C# D# E F# G · 1 2 3 #4 5 6 b7: a mixolydian with a raised fourth: the dominant in formalwear) cover the whole chord. And look at the first swap on the list below: that's the famous tritone substitution, the twin dominant living three whole steps from here, the one arrangers reach for when they want to arrive at the same place by a prettier road.

A Mixolydian

Scale diagramHorizontal fretboard with 6 strings, frets 0–5.1234556b711234456b7b712234556b71
frets 2–5 · CAGED G

3 more scale positions on the neck

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The same A Mixolydian in its main shapes along the neck — pick whichever position sits under your hand. The rings mark the guide notes (the 3rd and 7th) that carry this chord's color.

Improvising in context

To improvise over A7 as home, the A Mixolydian scale covers it whole — it contains every note of the chord. And when the dominant (E) pulls back, the leading tone Ab is the note that wants to resolve home.

Swaps that work:

Reharmonize — Want richer substitutions? Reharmonize the progression in a tap · see it in Chord & Fret

The same chord, dressed for jazz

A7 drop2, 12 12 11 12 x xA7 drop211××A7 drop2, x 7 7 6 8 xA7 drop26××

Jazz Lab — Drop 2, drop 3 and shell in any key — the Jazz Lab opens them all · use it in Chord & Fret

You already know how this sentence ends. The period after A7 is called D — go there and close it with your own fingers.

Every shape of A7 lives in Chord & Fret Pro — 4 instruments, 16 tunings, 41 chord types and 57 scales, in every key. Start free. Unlock everything with Pro. 100% offline. Free to start, no card needed.