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Chord & Fret

A7 · Ukulele

Breathe in right now. Hold it. ...Feel your body asking for the second half? A7 is a song breathing like that — first half only. Press play down there.

Listen first

What you just heard

Why does it sound unfinished? Inside A7, two notes are at odds: C# and G. Now listen to the arpeggio, one note at a time and catch the second and the last note — the distance between them is the tritone, the tensest interval tonal music knows. A and E keep the house standing while those two argue inside it. And an argument, you know, demands a resolution.

Now it's your hands' turn

On the ukulele, the high reentrant G makes every shape light — and with four strings, every note is exposed. So grab the first position below — 3 open strings to help you; it's also the easiest one to play. Now the experiment that explains this chord better than any explanation: play A7, hold it for one breath, then play D. Felt the door close? Do it again. That relief is the reason this chord exists.

A7, 0 1 0 0A71GC#EA
0 1 0 0 ⭐
A7, 0 1 3 0A712GC#GA
0 1 3 0
A7, 2 1 3 0A7213AC#GA
2 1 3 0

1 more shape of this chord on the neck

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Precision Tuner — Before you play these shapes, get in tune — chromatic tuner and reference tones · open in Chord & Fret

The other positions earn their keep in blues and jazz, where this chord is practically the official language; learn them one at a time.

Left-handed? Mirror's right hereA7, 0 1 0 0A71GC#EA

What is A7?

A7: A Major with Seventh. The notes are A, C#, E, G (fixed-do: La, Do#, Mi, Sol) — the degrees 1–3–5–b7.

Where this chord lives

Its job is fixed: A7 is a dominant, and dominants live as VII7 in B minor, V7 in D major. Translation: wherever it shows up, the music is about to move. A chart full of 7th chords is a song that won't sit still.

Transpose & Capo — Need it in another key? Move the whole chart and find the easiest capo · try it in Chord & Fret

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Where it tends to go

Treating A7 as the home chord (I) of its key, it tends to go toward the pre-dominant (Bm / D) or the dominant (E / G#°) — and the dominant pulls back home. Typically, not a rule.

When you want to go further

For soloing, A Mixolydian (A B C# D E F# G · 1 2 3 4 5 6 b7: the major scale with a lowered seventh — the blues accent); A Lydian dominant (A B C# D# E F# G · 1 2 3 #4 5 6 b7: a mixolydian with a raised fourth: the dominant in formalwear) cover the whole chord. And look at the first swap on the list below: that's the famous tritone substitution, a second dominant hiding three whole steps away, the one arrangers reach for when they want to arrive at the same place by a prettier road.

A Mixolydian

Scale diagramHorizontal fretboard with 4 strings, frets 0–4.1234b71234556b7123
frets 1–4

4 more scale positions on the neck

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The same A Mixolydian in its main shapes along the neck — pick whichever position sits under your hand. The rings mark the guide notes (the 3rd and 7th) that carry this chord's color.

Improvising in context

To improvise over A7 as home, the A Mixolydian scale covers it whole — it contains every note of the chord. And when the dominant (E) pulls back, the leading tone Ab is the note that wants to resolve home.

Swaps that work:

Reharmonize — Want richer substitutions? Reharmonize the progression in a tap · use it in Chord & Fret

The same chord, dressed for jazz

A7 drop2, 12 12 11 12 x xA7 drop211××A7 drop2, x 7 7 6 8 xA7 drop26××

Jazz Lab — Drop 2, drop 3 and shell in any key — the Jazz Lab opens them all · see it in Chord & Fret

You already know how this sentence ends. The period after A7 is called D — go there and close it with your own fingers.

Every shape of A7 lives in Chord & Fret Pro — 4 instruments, 16 tunings, 41 chord types and 57 scales, in every key. Start free. Unlock everything with Pro. 100% offline. Free to start, no card needed.