Chord & FretG7 · Cavaquinho
Breathe in right now. Hold it. ...Feel your body asking for the second half? G7 is a song breathing like that — first half only. Tap the player below.
Listen first
What you just heard
Why does it sound unfinished? Inside G7, two notes are arguing: B and F. Go back to the audio and catch the arpeggio note by note and catch the second and the last note — the distance between them is the tritone, the tensest interval tonal music knows. G and D keep the house standing while those two argue inside it. And an argument, you know, demands a resolution.
Now it's your hands' turn
On the cavaquinho, four steel strings tuned D–G–B–D pack the chord into a small, bright space — every finger counts. So grab the first position below; the position marked with ⭐ is the easiest to play. Now the experiment that explains this chord better than any explanation: play G7, hold it for one breath, then play C. Felt the door close? Do it again. That relief is the reason this chord exists.
2 more shapes of this chord on the neck
Part of over 200,000 voicings and inversions in Chord & Fret Pro — see and play every one.
Precision Tuner — Before you play these shapes, get in tune — chromatic tuner and reference tones · open in Chord & Fret
Save the positions below for when the blues calls: over there, this chord is the house language.
Left-handed? Mirror's right here
What is G7?
G7: G Major with Seventh. The notes are G, B, D, F (fixed-do: Sol, Si, Re, Fa) — the degrees 1–3–5–b7.
Where this chord lives
Its job is fixed: G7 is a dominant, and dominants live as VII7 in A minor, V7 in C major. Plainly: where it enters, the song is about to leave the room. A chart full of 7th chords is a song that won't sit still.
Transpose & Capo — Need it in another key? Move the whole chart and find the easiest capo · try it in Chord & Fret
Identify Chord — Found a shape on your own fretboard? The app names it back · use it in Chord & Fret
Where it tends to go
Treating G7 as the home chord (I) of its key, it usually moves toward the pre-dominant (Am / C) or the dominant (D / F#°) — and the dominant pulls back home. Typically, not a rule.
When you want to go further
For soloing, G Mixolydian (G A B C D E F · 1 2 3 4 5 6 b7: the major scale with a lowered seventh — the blues accent); G Lydian dominant (G A B C# D E F · 1 2 3 #4 5 6 b7: a mixolydian with a raised fourth: the dominant in formalwear) cover the whole chord. And look at the first swap on the list below: that's the famous tritone substitution, the twin dominant living three whole steps from here, the one arrangers reach for when they want to arrive at the same place by a prettier road.
G Mixolydian
4 more scale positions on the neck
Part of over 35,000 mapped scale shapes in Chord & Fret Pro — see and play every one.
The same G Mixolydian in its main shapes along the neck — pick whichever position sits under your hand. The rings mark the guide notes (the 3rd and 7th) that carry this chord's color.
Improvising in context
To improvise over G7 as home, the G Mixolydian scale fits entirely — it contains every note of the chord. And when the dominant (D) pulls back, the leading tone F# is the note that wants to resolve home.
Swaps that work:
- Db7 — Tritone substitution (shared 3rd–7th tritone)
- Dm7 — Forms a II–V: precede with this ii
- Abdim7 — Passing diminished (ascending)
Reharmonize — Want richer substitutions? Reharmonize the progression in a tap · see it in Chord & Fret
The same chord, dressed for jazz
Jazz Lab — Drop 2, drop 3 and shell in any key — the Jazz Lab opens them all · see it in Chord & Fret
You already know how this sentence ends. The period after G7 is called C — go there and close it with your own fingers.
Every shape of G7 lives in Chord & Fret Pro — 4 instruments, 16 tunings, 41 chord types and 57 scales, in every key. Start free. Unlock everything with Pro. 100% offline. Made by musicians, no ads.