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Chord & Fret

Harmonic field of G# minor on guitar

G# minor: G# – A# – B – C# – D# – E – F#. In the shapes below, the tonic opens with the bass on G#. On the guitar, six strings give the chord room to breathe — some positions use them all, others ask you to mute the lowest ones. Its hollow wooden body gives every chord a warm, natural ring that blooms and fades on its own.

G#m7, 4 6 4 4 4 4G#m74131111G#D#F#BD#G#
i · tonic4 6 4 4 4 4
A#m7b5, x 1 2 1 2 xA#m7b51324×A#EG#C#×
ii° · subdominant× 1 2 1 2 ×
Bmaj7, x 2 4 3 4 2Bmaj713241×BF#A#D#F#
III · tonic× 2 4 3 4 2
C#m7, x 4 6 4 5 4C#m7413121×C#G#BEG#
iv · subdominant× 4 6 4 5 4
D#m7, x 6 8 6 7 6D#m7613121×D#A#C#F#A#
v · dominant× 6 8 6 7 6
Emaj7, 0 2 1 1 0 0Emaj7211EBD#G#BE
VI · tonic0 2 1 1 0 0
F#7, 2 4 2 3 2 2F#7131211F#C#EA#C#F#
VII · dominant2 4 2 3 2 2

This is the natural-minor field. In practice the v often becomes V (major) or V7 — borrowed from the harmonic minor — to create the leading tone that pulls back to the tonic.

These are the first positions of every degree of G# minor on guitar. In Chord & Fret, the Circle of Fifths opens the full field — every degree with all its positions, audio and the key's secondary dominants. Open in Chord & Fret →

See the full harmonic field of G# minor →