Chord & FretG#m7 · Cavaquinho
End of the workday, headphones on, the bus moving slowly — and, strangely, everything's fine. That state of mind has a chord symbol: G#m7. Give the audio below a listen and recognize it.
Listen first
What you just heard
The recipe: take the G#m you know — G#, B, D# — and add F# on top. Go back to the audio and catch the arpeggio note by note and wait for the fourth note. It doesn't make the chord happy; it takes the weight off its shoulders. That's why bossa nova, neo-soul and the whole of R&B live here.
Now it's your hands' turn
On the cavaquinho, four steel strings tuned D–G–B–D pack the chord into a small, bright space — every finger counts. So start with the first position below — the position marked with ⭐ is the easiest to play. Four notes sharing the same space, so there's one rule: every single one has to ring. Play it slowly, listen for each voice. A muffled chord here is a double waste.
2 more shapes of this chord on the neck
Chord & Fret Pro maps over 200,000 voicings and inversions — hear and play them all.
Precision Tuner — Before you play these shapes, get in tune — chromatic tuner and reference tones · see it in Chord & Fret
And keep the mid-neck positions in your pocket: in modern comping they're worth more than the open one, because they leave room for a voice on top. You'll get it the first time you play behind a singer.
Every shape of G#m7 lives in Chord & Fret Pro — 4 instruments, 16 tunings, 41 chord types and 57 scales, in every key. Start free. Unlock everything with Pro. 100% offline. No ads, no trackers.
Left-handed? Mirror's right here
What is G#m7?
G#m7: G# minor with Seventh. The notes are G#, B, D#, F# (fixed-do: Sol#, Si, Re#, Fa#) — the degrees 1–b3–5–b7.
Where this chord lives
Here's the backstage secret: G#m7's classic job is being the ii — the first piece of the ii–V–I, the most-used sentence in jazz and everything jazz ever touched. Across keys you'll find it as v7 in C# minor, iv7 in D# minor, i7 in G# minor. In other words: this chord is almost never standing still; it's setting something up.
Transpose & Capo — Need it in another key? Move the whole chart and find the easiest capo · use it in Chord & Fret
Identify Chord — Found a shape on your own fretboard? The app names it back · open in Chord & Fret
Where it tends to go
Treating G#m7 as the home chord (I) of its key, it tends to go toward the pre-dominant (Bbm / Db) or the dominant (Eb / G°) — and the dominant pulls back home. It's a tendency, not a law.
When you want to go further
For improvising, G# Dorian (G# A# B C# D# E# F# · 1 2 b3 4 5 6 b7: the minor scale with a major sixth — the minor that smirks); G# Aeolian (G# A# B C# D# E F# · 1 2 b3 4 5 b6 b7: the natural minor, the major scale's relative sibling); G# Dorian ♭2 (G# A B C# D# E# F# · 1 b2 b3 4 5 6 b7: a dorian with a lowered second) contain the whole chord. And the jazz shapes at the bottom are these same four notes rearranged across the neck: same chord, arranger's polish.
G# Dorian
4 more scale positions on the neck
Chord & Fret Pro maps over 35,000 mapped scale shapes — hear and play them all.
The same G# Dorian in its main shapes along the neck — pick whichever position sits under your hand. The rings mark the guide notes (the 3rd and 7th) that carry this chord's color.
Improvising in context
To improvise over G#m7 as home, the G# Aeolian scale fits entirely — it contains every note of the chord. And when the dominant (Eb) pulls back, the leading tone G is the note that wants to resolve home.
Swaps that work:
- Bmaj7 — Relative major (♭III)
- Db7 — It's the ii; resolves to this V
Reharmonize — Want richer substitutions? Reharmonize the progression in a tap · try it in Chord & Fret
The same chord, dressed for jazz
Jazz Lab — Drop 2, drop 3 and shell in any key — the Jazz Lab opens them all · open in Chord & Fret
The thing this chord is preparing has a name: C#7. Chain the two and there it is — half a ii–V in your pocket, jazz's favorite sentence.