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Chord & Fret

A#m7(b5) — half-diminished

Also written Bbm7(b5) — the same chord, spelled the other way.

Notes in A#m7(b5): A# – C# – E – G#Formula: 1 – b3 – b5 – b7

In the formula, the numbers count steps of the major scale starting from the note that names the chord; "b" lowers a half step, "#" raises one — and a slash names the bass note.

Picture a minor chord whose fifth has been 'shrunk', that is, lowered by a half step: the result is tense and melancholic at once. In minor keys it usually announces that tension is on the way — as in Bm7b5E7E7E7E7AmAmAmAm. It is a color you hear a lot in bolero and bossa nova.

The same chord on all four instruments

A#m7(b5), x 1 2 1 2 xA#m7(b5)1324×BbEAbDb×
Guitar
A#m7(b5), x 1 2 1 2 xA#m7(b5)1324×BbEAbDb×
Electric guitar
A#m7(b5), 8 6 5 6A#m7(b5)54213BbDbEAb
Cavaquinho
A#m7(b5), 1 1 0 1A#m7(b5)123AbDbEBb
Ukulele

Where to use it: In minor keys it is usually the chord that opens the famous ii–V — in other words, the two-chord pair that prepares the return home. Think Dm7b5G7G7G7G7 arriving at CmCmCmCm.

This is just one shape of A#m7(b5). In Chord & Fret, you check it note by note, playing any shape as an arpeggio; compare positions with their difficulty marked; and change the tuning — the shape rewrites itself. Start free. Unlock everything with Pro. Plays offline.

See the whole neck in Chord & Fret →

Part of the Sevenths family.

Other chords in this family

Bbmaj7Bbmaj7Bbmaj7Bbmaj7Bb7Bb7Bb7Bb7A#m7A#m7A#m7A#m7Bbm(maj7)A#dim7Bb7(#5)Bb7(b5)

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