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Chord & Fret

D#m7 · Ukulele

End of the workday, headphones on, the bus moving slowly — and, strangely, everything's fine. That state of mind has a chord symbol: D#m7. Tap the player below and recognize it.

Listen first

What you just heard

The recipe: take the D#m you know — D#, F#, A# — and add C# on top. Go back to the audio and catch the arpeggio note by note and wait for the fourth note. It doesn't make the chord happy; it takes the weight off its shoulders. That's why bossa nova, neo-soul and the whole of R&B live here.

Now it's your hands' turn

On the ukulele, the high reentrant G makes every shape light — and with four strings, every note is exposed. So start with the first position below — the position marked with ⭐ is the easiest to play. Four notes sharing the same space, so there's one rule: every single one has to ring. Go note by note, like checking signatures. A muffled chord here is a double waste.

D#m7 · 2fr, 3 3 2 4D#m7 · 2fr2314A#D#F#C#
3 3 2 4
D#m7 · 6fr, 6 6 6 6D#m7 · 6fr61111C#F#A#D#
6 6 6 6 ⭐
D#m7 · 2fr, x 3 2 4D#m7 · 2fr213×D#F#C#
× 3 2 4

1 more shape of this chord on the neck

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Precision Tuner — Before you play these shapes, get in tune — chromatic tuner and reference tones · try it in Chord & Fret

And keep the mid-neck positions in your pocket: in modern comping they're worth more than the open one, because they leave room for a voice on top. You'll get it the first time you play behind a singer.

Left-handed? Mirror's right hereD#m7, 3 3 2 4D#m72314A#D#F#C#

What is D#m7?

D#m7: D# minor with Seventh. The notes are D#, F#, A#, C# (fixed-do: Re#, Fa#, La#, Do#) — the degrees 1–b3–5–b7.

Where this chord lives

Now the part beginners rarely get told: D#m7's classic job is being the ii — the first piece of the ii–V–I, the most-used sentence in jazz and everything jazz ever touched. Across keys you'll find it as i7 in D# minor, v7 in G# minor, iv7 in A# minor. In other words: this chord is almost never standing still; it's setting something up.

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Where it tends to go

Treating D#m7 as the home chord (I) of its key, it tends to go toward the pre-dominant (Fm / Ab) or the dominant (Bb / D°) — and the dominant pulls back home. Typically, not a rule.

When you want to go further

For improvising, D# Dorian (D# E# F# G# A# B# C# · 1 2 b3 4 5 6 b7: the minor scale with a major sixth — the minor that smirks); D# Aeolian (D# E# F# G# A# B C# · 1 2 b3 4 5 b6 b7: the natural minor, the major scale's relative sibling); D# Dorian ♭2 (D# E F# G# A# B# C# · 1 b2 b3 4 5 6 b7: a dorian with a lowered second) contain the whole chord. And the jazz shapes at the bottom are these same four notes rearranged across the neck: same chord, arranger's polish.

D# Dorian

Scale diagramHorizontal fretboard with 4 strings, frets 0–4.1234456b712b3456b7
frets 1–4

4 more scale positions on the neck

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The same D# Dorian in its main shapes along the neck — pick whichever position sits under your hand. The rings mark the guide notes (the 3rd and 7th) that carry this chord's color.

Improvising in context

To improvise over D#m7 as home, the D# Aeolian scale fits entirely — it contains every note of the chord. And when the dominant (Bb) pulls back, the leading tone D is the note that wants to resolve home.

Swaps that work:

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The same chord, dressed for jazz

D#m7 drop2, 6 6 4 6 x xD#m7 drop24××D#m7 drop2, 18 18 16 18 x xD#m7 drop216××

Jazz Lab — Drop 2, drop 3 and shell in any key — the Jazz Lab opens them all · try it in Chord & Fret

The thing this chord is preparing has a name: G#7. Chain the two and there it is — half a ii–V in your pocket, jazz's favorite sentence.

Every shape of D#m7 lives in Chord & Fret Pro — 4 instruments, 16 tunings, 41 chord types and 57 scales, in every key. Start free. Unlock everything with Pro. 100% offline. Made by musicians, no ads.