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Harmonic field of C# minor on guitar

C# minor: C# – D# – E – F# – G# – A – B. In the shapes below, the tonic opens with the bass on C#. On the guitar, six strings give the chord room to breathe — some positions use them all, others ask you to mute the lowest ones. Its hollow wooden body gives every chord a warm, natural ring that blooms and fades on its own.

C#m7, x 4 6 4 5 4C#m7413121×C#G#BEG#
i · tonic× 4 6 4 5 4
D#m7b5, x x 1 2 2 2D#m7b51234××D#AC#F#
ii° · subdominant× × 1 2 2 2
Emaj7, 0 2 1 1 0 0Emaj7211EBD#G#BE
III · tonic0 2 1 1 0 0
F#m7, 2 4 2 2 2 2F#m7131111F#C#EAC#F#
iv · subdominant2 4 2 2 2 2
G#m7, 4 6 4 4 4 4G#m74131111G#D#F#BD#G#
v · dominant4 6 4 4 4 4
Amaj7, x 0 2 1 2 0Amaj7213×AEG#C#E
VI · tonic× 0 2 1 2 0
B7, x 2 1 2 0 2B72134×BD#ABF#
VII · dominant× 2 1 2 0 2

This is the natural-minor field. In practice the v often becomes V (major) or V7 — borrowed from the harmonic minor — to create the leading tone that pulls back to the tonic.

These are the first positions of every degree of C# minor on guitar. In Chord & Fret, the Circle of Fifths opens the full field — every degree with all its positions, audio and the key's secondary dominants. Open in Chord & Fret →

See the full harmonic field of C# minor →