Chord & FretF#m7 · Guitar
End of the workday, headphones on, the bus moving slowly — and, strangely, everything's fine. That state of mind has a chord symbol: F#m7. Tap the player below and recognize it.
Listen first
What you just heard
The recipe: take the F#m you know — F#, A, C# — and add E on top. Now listen to the arpeggio, one note at a time and wait for the fourth note. It doesn't make the chord happy; it takes the weight off its shoulders. That's why bossa nova, neo-soul and the whole of R&B live here.
Now it's your hands' turn
On the guitar, six strings give the chord room to breathe — some positions use them all, others ask you to mute the lowest ones. So start with the first position below — the position marked with ⭐ is the easiest to play. Four notes sharing the same space, so there's one rule: every single one has to ring. Go note by note, like checking signatures. A muffled chord here is a double waste.
2 more shapes of this chord on the neck
Chord & Fret Pro maps over 200,000 voicings and inversions — hear and play them all.
Precision Tuner — Before you play these shapes, get in tune — chromatic tuner and reference tones · use it in Chord & Fret
Mid-neck positions are the favorites of anyone backing a singer: they leave the treble free for the voice. File it away for that day.
Left-handed? Mirror's right here
What is F#m7?
F#m7: F# minor with Seventh. The notes are F#, A, C#, E (fixed-do: Fa#, La, Do#, Mi) — the degrees 1–b3–5–b7.
Where this chord lives
Now the part beginners rarely get told: F#m7's classic job is being the ii — the first piece of the ii–V–I, the most-used sentence in jazz and everything jazz ever touched. Across keys you'll find it as iv7 in C# minor, i7 in F# minor, v7 in B minor. In other words: this chord is almost never standing still; it's setting something up.
Transpose & Capo — Need it in another key? Move the whole chart and find the easiest capo · open in Chord & Fret
Identify Chord — Found a shape on your own fretboard? The app names it back · try it in Chord & Fret
Where it tends to go
Treating F#m7 as the home chord (I) of its key, it tends to go toward the pre-dominant (G#m / B) or the dominant (C# / E#°) — and the dominant pulls back home. Typically, not a rule.
Every shape of F#m7 lives in Chord & Fret Pro — 4 instruments, 16 tunings, 41 chord types and 57 scales, in every key. Start free. Unlock everything with Pro. 100% offline. Free to start, no card needed.
When you want to go further
For improvising, F# Dorian (F# G# A B C# D# E · 1 2 b3 4 5 6 b7: the minor scale with a major sixth — the minor that smirks); F# Aeolian (F# G# A B C# D E · 1 2 b3 4 5 b6 b7: the natural minor, the major scale's relative sibling); F# Dorian ♭2 (F# G A B C# D# E · 1 b2 b3 4 5 6 b7: a dorian with a lowered second) contain the whole chord. And the jazz shapes at the bottom are these same four notes rearranged across the neck: same chord, arranger's tailoring.
F# Dorian
3 more scale positions on the neck
Part of over 35,000 mapped scale shapes in Chord & Fret Pro — see and play every one.
The same F# Dorian in its main shapes along the neck — pick whichever position sits under your hand. The rings mark the guide notes (the 3rd and 7th) that carry this chord's color.
Improvising in context
To improvise over F#m7 as home, the F# Aeolian scale fits entirely — it contains every note of the chord. And when the dominant (C#) pulls back, the leading tone F is the note that wants to resolve home.
Swaps that work:
- Amaj7 — Relative major (♭III)
- B7 — It's the ii; resolves to this V
Reharmonize — Want richer substitutions? Reharmonize the progression in a tap · see it in Chord & Fret
The same chord, dressed for jazz
Jazz Lab — Drop 2, drop 3 and shell in any key — the Jazz Lab opens them all · see it in Chord & Fret
Remember I said it's setting something up? This is it: B7. Play F#m7 → B7 and you've just built half a ii–V — the gear that's been turning jazz for a hundred years.