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Chords in the key of C# minor on cavaquinho

The key of C# minor has seven diatonic chords: C#mC#mC#mC#m, D#°, E, F#mF#mF#mF#m, G#mG#mG#mG#m, A and B. As sevenths: C#m7C#m7C#m7C#m7, D#m7b5, Emaj7Emaj7Emaj7Emaj7, F#m7F#m7F#m7F#m7, G#m7G#m7G#m7G#m7, Amaj7Amaj7Amaj7Amaj7 and B7B7B7B7. They come from the C# natural minor scale, C#, D#, E, F#, G#, A and B, one on each note. On cavaquinho, the shapes below are the seventh chords of every degree, and the tonic one has E in the bass.

On the cavaquinho, four steel strings tuned D–G–B–D pack the chord into a small, bright space — every finger counts. Its four steel strings give a bright, sharp attack that cuts through the mix and drives the beat.

Seventh chords in C# minor on cavaquinho

C#m7, 2 4 2 2C#m71423EBC#E
i · tonic2 4 2 2
D#m7b5, 1 2 2 4D#m7b51234D#AC#F#
ii° · subdominant1 2 2 4
Emaj7, 2 1 0 1Emaj7312EG#BD#
III · tonic2 1 0 1
F#m7, 4 2 2 2F#m73111F#AC#E
iv · subdominant4 2 2 2
G#m7, 6 4 4 4G#m743111G#BD#F#
v · dominant6 4 4 4
Amaj7, 2 2 2 6Amaj721114EAC#G#
VI · subdominant2 2 2 6
B7, 4 4 4 7B741114F#BD#A
VII · subdominant4 4 4 7

These are the chords of the natural minor scale. In practice the v often becomes V (major) or V7, borrowed from the harmonic minor, to create the leading tone that pulls back to the tonic.

See also

See every chord in the key of C# minor →