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Chord & Fret

Harmonic field of B minor on guitar

B minor: B – C# – D – E – F# – G – A. In the shapes below, the tonic opens with the bass on B. On the guitar, six strings give the chord room to breathe — some positions use them all, others ask you to mute the lowest ones. Its hollow wooden body gives every chord a warm, natural ring that blooms and fades on its own.

Bm7, x 2 0 2 0 2Bm7123×BDABF#
i · tonic× 2 0 2 0 2
C#m7b5, x 4 5 4 5 xC#m7b51324×C#GBE×
ii° · subdominant× 4 5 4 5 ×
Dmaj7, x x 0 2 2 2Dmaj7111××DAC#F#
III · tonic× × 0 2 2 2
Em7, 0 2 0 0 0 0Em71EBDGBE
iv · subdominant0 2 0 0 0 0
F#m7, 2 4 2 2 2 2F#m7131111F#C#EAC#F#
v · dominant2 4 2 2 2 2
Gmaj7, 3 2 0 0 0 2Gmaj7312GBDGBF#
VI · tonic3 2 0 0 0 2
A7, x 0 2 0 2 0A712×AEGC#E
VII · dominant× 0 2 0 2 0

This is the natural-minor field. In practice the v often becomes V (major) or V7 — borrowed from the harmonic minor — to create the leading tone that pulls back to the tonic.

These are the first positions of every degree of B minor on guitar. In Chord & Fret, the Circle of Fifths opens the full field — every degree with all its positions, audio and the key's secondary dominants. Open in Chord & Fret →

See the full harmonic field of B minor →