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Chord & Fret

C#m7(b5) — half-diminished

Also written Dbm7(b5) — the same chord, spelled the other way.

Notes in C#m7(b5): C# – E – G – BFormula: 1 – b3 – b5 – b7

In the formula, the numbers count steps of the major scale starting from the note that names the chord; "b" lowers a half step, "#" raises one — and a slash names the bass note.

Picture a minor chord whose fifth has been 'shrunk', that is, lowered by a half step: the result is tense and melancholic at once. In minor keys it usually announces that tension is on the way — as in Bm7b5E7E7E7E7AmAmAmAm. It is a color you hear a lot in bolero and bossa nova.

The same chord on all four instruments

C#m7(b5), x 4 5 4 5 xC#m7(b5)1324×DbGBE×
Guitar
C#m7(b5), x 4 5 4 5 xC#m7(b5)1324×DbGBE×
Electric guitar
C#m7(b5), 2 4 2 5C#m7(b5)1324EBDbG
Cavaquinho
C#m7(b5), 0 1 0 2C#m7(b5)12GDbEB
Ukulele

Where to use it: In minor keys it is usually the chord that opens the famous ii–V — in other words, the two-chord pair that prepares the return home. Think Dm7b5G7G7G7G7 arriving at CmCmCmCm.

This is just one shape of C#m7(b5). In Chord & Fret, you check it note by note, playing any shape as an arpeggio; compare positions with their difficulty marked; and change the tuning — the shape rewrites itself. Start free. Unlock everything with Pro. Plays offline.

See the whole neck in Chord & Fret →

Part of the Sevenths family.

Other chords in this family

C#maj7C#maj7C#maj7C#maj7C#7C#7C#7C#7C#m7C#m7C#m7C#m7C#m(maj7)C#dim7Db7(#5)C#7(b5)

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