Skip to content
Chord & Fret

Harmonic field of A minor on guitar

A minor: A – B – C – D – E – F – G. In the shapes below, the tonic opens with the bass on A. On the guitar, six strings give the chord room to breathe — some positions use them all, others ask you to mute the lowest ones. Its hollow wooden body gives every chord a warm, natural ring that blooms and fades on its own.

Am7, x 0 2 0 1 0Am721×AEGCE
i · tonic× 0 2 0 1 0
Bm7b5, x 2 3 2 3 xBm7b51324×BFAD×
ii° · subdominant× 2 3 2 3 ×
Cmaj7, x 3 2 0 0 0Cmaj721×CEGBE
III · tonic× 3 2 0 0 0
Dm7, x x 0 2 1 1Dm7211××DACF
iv · subdominant× × 0 2 1 1
Em7, 0 2 0 0 0 0Em71EBDGBE
v · dominant0 2 0 0 0 0
Fmaj7, 1 3 2 2 1 1Fmaj7142311FCEACF
VI · tonic1 3 2 2 1 1
G7, 3 2 0 0 0 1G7321GBDGBF
VII · dominant3 2 0 0 0 1

This is the natural-minor field. In practice the v often becomes V (major) or V7 — borrowed from the harmonic minor — to create the leading tone that pulls back to the tonic.

These are the first positions of every degree of A minor on guitar. In Chord & Fret, the Circle of Fifths opens the full field — every degree with all its positions, audio and the key's secondary dominants. Open in Chord & Fret →

See the full harmonic field of A minor →