Chord & FretF#11 — dominant eleventh
Also written Gb11 — the same chord, spelled the other way.
Notes in F#11: F# – A# – C# – E – G# – BFormula: 1 – 3 – 5 – b7 – 9 – 11In the formula, the numbers count steps of the major scale starting from the note that names the chord; "b" lowers a half step, "#" raises one — and a slash names the bass note.
The dominant stretched to the eleventh. In practice the third steps aside, because it and the fourth clash a semitone apart; what remains is a wide, almost suspended chord.
The same chord on all four instruments
Where to use it: Gospel, soul and funk; a dominant that would rather wait than resolve.
The shapes of F#11 don't end on this page — the whole neck holds dozens. In Chord & Fret, you hear every shape strummed string by string, in each instrument's own voice; open every variation on the neck, grouped by bass note; and change the tuning — the shape rewrites itself. Start free. Unlock everything with Pro. Plays offline.
See the whole neck in Chord & Fret →Part of the Extended family.