C#11 — dominant eleventh
Also written Db11 — the same chord, spelled the other way.
Notes in C#11: C# – E# – G# – B – D# – F#Formula: 1 – 3 – 5 – b7 – 9 – 11In the formula, the numbers count steps of the major scale starting from the note that names the chord; "b" lowers a half step, "#" raises one — and a slash names the bass note.
The dominant stretched to the eleventh. In practice the third steps aside, because it and the fourth clash a semitone apart; what remains is a wide, almost suspended chord.
The same chord on all four instruments
Where to use it: Gospel, soul and funk; a dominant that would rather wait than resolve.
Every region of the neck hides more shapes of C#11. In Chord & Fret, you hear every shape strummed string by string, in each instrument's own voice; compare positions with their difficulty marked; and change the tuning — the shape rewrites itself. Start free. Unlock everything with Pro. Plays offline.
See the whole neck in Chord & Fret →Part of the Extended family.