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Chord & Fret

F#13 — dominant thirteenth

Also written Gb13 — the same chord, spelled the other way.

Notes in F#13: F# – A# – C# – E – G# – D#Formula: 1 – 3 – 5 – b7 – 9 – 13

In the formula, the numbers count steps of the major scale starting from the note that names the chord; "b" lowers a half step, "#" raises one — and a slash names the bass note.

The 13 is the full extended dominant. In practice, the third and seventh define the function while the thirteenth gives the color — the root and fifth can be omitted.

The same chord on all four instruments

F#13, 2 1 1 1 2 0F#1321113F#A#D#G#C#E
Guitar
F#13, 2 1 1 1 2 0F#1321113F#A#D#G#C#E
Electric guitar
F#13, 2 3 4 4F#131234EA#D#F#
Cavaquinho
F#13, 3 6 0 6F#133123A#F#ED#
Ukulele

Where to use it: An elegant dominant in jazz, MPB and gospel.

This is just one shape of F#13. In Chord & Fret, you hear every shape strummed string by string, in each instrument's own voice; open every variation on the neck, grouped by bass note; and set a capo — the diagrams redraw above it. Start free. Unlock everything with Pro. Plays offline.

See the whole neck in Chord & Fret →

Part of the Extended family.

Other chords in this family

F#maj9F#9F#m9F#m11F#maj9(#11)F#11F#maj11F#maj13F#m13F#m(maj9)

See all chord types and qualities →