F#maj13 — major thirteenth
Also written Gbmaj13 — the same chord, spelled the other way.
Notes in F#maj13: F# – A# – C# – E# – G# – D#Formula: 1 – 3 – 5 – 7 – 9 – 13In the formula, the numbers count steps of the major scale starting from the note that names the chord; "b" lowers a half step, "#" raises one — and a slash names the bass note.
The tallest major extension: major seventh, ninth and thirteenth over the triad. It sounds full and settled, with a wide shine on top.
The same chord on all four instruments
Where to use it: The last chord of ballads, jazz and MPB — an ending that rests without sounding plain.
The shapes of F#maj13 don't end on this page — the whole neck holds dozens. In Chord & Fret, you hear every shape strummed string by string, in each instrument's own voice; open every variation on the neck, grouped by bass note; and change the tuning — the shape rewrites itself. Start free. Unlock everything with Pro. Plays offline.
See the whole neck in Chord & Fret →Part of the Extended family.