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Chord & Fret

C#13 — dominant thirteenth

Also written Db13 — the same chord, spelled the other way.

Notes in C#13: C# – E# – G# – B – D# – A#Formula: 1 – 3 – 5 – b7 – 9 – 13

In the formula, the numbers count steps of the major scale starting from the note that names the chord; "b" lowers a half step, "#" raises one — and a slash names the bass note.

The 13 is the full extended dominant. In practice, the third and seventh define the function while the thirteenth gives the color — the root and fifth can be omitted.

The same chord on all four instruments

C#13, x 4 3 3 0 4C#132113×C#FA#BG#
Guitar
C#13, x 4 3 3 0 4C#132113×C#FA#BG#
Electric guitar
C#13, 8 6 6 9C#1362113A#C#FB
Cavaquinho
C#13, 3 1 1 2C#133112A#C#FB
Ukulele

Where to use it: An elegant dominant in jazz, MPB and gospel.

Every region of the neck hides more shapes of C#13. In Chord & Fret, you hear every shape strummed string by string, in each instrument's own voice; compare positions with their difficulty marked; and change the tuning — the shape rewrites itself. Start free. Unlock everything with Pro. Plays offline.

See the whole neck in Chord & Fret →

Part of the Extended family.

Other chords in this family

C#maj9C#9C#m9C#m11Dbmaj9(#11)C#11C#maj11C#maj13C#m13C#m(maj9)

See all chord types and qualities →