Gm7 · Ukulele

End of the workday, headphones on, the bus moving slowly — and, strangely, everything's fine. That state of mind has a chord symbol: Gm7. Hit play below and recognize it.

Listen first

What you just heard

The recipe: take the Gm you know — G, A#, D — and add F on top. Go back to the audio and catch the arpeggio note by note and wait for the fourth note. It doesn't make the chord happy; it takes the weight off its shoulders. That's why bossa nova, neo-soul and the whole of R&B live here.

Now it's your hands' turn

On the ukulele, the high reentrant G makes every shape light — and with four strings, every note is exposed. So start with the first position below, with 1 open string on your side — the position marked with ⭐ is the easiest to play. Four notes sharing the same space, so there's one rule: every single one has to ring. Go note by note, like checking signatures. A muffled chord here is a double waste.

Precision Tuner — Before you play these shapes, get in tune — chromatic tuner and reference tones · use it in Chord & Fret

And keep the mid-neck positions in your pocket: in modern comping they're worth more than the open one, because they leave room for a voice on top. You'll get it the first time you play behind a singer.

What is Gm7?

Gm7: G minor with Seventh. The notes are G, Bb, D, F (fixed-do: Sol, Si♭, Re, Fa) — the degrees 1–b3–5–b7.

Where this chord lives

Here's the backstage secret: Gm7's classic job is being the ii — the first piece of the ii–V–I, the most-used sentence in jazz and everything jazz ever touched. Across keys you'll find it as v7 in C minor, iv7 in D minor, i7 in G minor. In other words: this chord is almost never standing still; it's setting something up.

Transpose & Capo — Need it in another key? Move the whole chart and find the easiest capo · try it in Chord & Fret

Identify Chord — Found a shape on your own fretboard? The app names it back · open in Chord & Fret

Where it tends to go

Treating Gm7 as the home chord (I) of its key, it usually moves toward the pre-dominant (Am / C) or the dominant (D / F#°) — and the dominant pulls back home. Typically, not a rule.

Every shape of Gm7 lives in Chord & Fret Pro — 4 instruments, 16 tunings, 41 chord types and 57 scales, in every key. Start free. Unlock everything with Pro. 100% offline. No ads, no trackers.

When you want to go further

For improvising, G Dorian (G A Bb C D E F · 1 2 b3 4 5 6 b7: the minor scale with a major sixth — the minor that smirks); G Aeolian (G A Bb C D Eb F · 1 2 b3 4 5 b6 b7: the natural minor, the major scale's relative sibling); G Dorian ♭2 (G Ab Bb C D E F · 1 b2 b3 4 5 6 b7: a dorian with a lowered second) contain the whole chord. And the jazz shapes at the bottom are these same four notes rearranged across the neck: same chord, arranger's tailoring.

Improvising in context

To improvise over Gm7 as home, the G Aeolian scale covers it whole — it contains every note of the chord. And when the dominant (D) pulls back, the leading tone F# is the note that wants to resolve home.

Swaps that work:

• Bbmaj7 — Relative major (♭III)
• C7 — It's the ii; resolves to this V

Reharmonize — Want richer substitutions? Reharmonize the progression in a tap · see it in Chord & Fret

The same chord, dressed for jazz

Jazz Lab — Drop 2, drop 3 and shell in any key — the Jazz Lab opens them all · open in Chord & Fret

Remember I said it's setting something up? This is it: C7. Play Gm7 → C7 and you've just built half a ii–V — the gear that's been turning jazz for a hundred years.

Updated July 9, 2026