Chord & FretFlamenco · Ukulele
Rumba Flamenca Strum
Sound summary
The Flamenco pattern is a chord strum for the ukulele, in 4/4 straight (even subdivisions): the groove strums the chord (A) up and down, with muted hits (x) driving the groove. To the ear: A↓ A↑ A↓ A↑ x A↑ A↓ A↑.
How to count it
There are 4 beats per bar (4/4), split into eighth-notes (two per beat). Speak the count: 1 e, 2 e, 3 e, 4 e. Tap your foot on the strong beat and read the grid above: each cell is one subdivision.
The rhythm grid
A = chord · ↓ down-stroke · ↑ up-stroke · x = muted
The ↓/↑ direction follows the bowed-string arcada convention (ᴨ down, V up; Ribeiro 2017). The muted and ghost strokes follow Cantalice 2022.
How to play it
Right hand
Alternate down (↓) and up (↑) on the chord (A). The down-stroke is firm; the up-stroke just grazes the thin strings — that contrast gives the bounce. On the (x), lay the hand on the strings as you strike — that muted “chka” is what lets the groove breathe.
Left hand
The fretting hand holds the chord firmly through the whole pattern — it owns the harmony while the right hand owns the rhythm. Change chords at the last instant of the bar, the hand already moving toward the next shape. On the muted hits (x), ease the finger pressure without leaving the neck: the strings stop ringing but stay under the fingers, ready for the next chord.
Example in Am
With an Am held, let the same chord ring under every stroke — close your eyes and follow just the right hand’s rhythm. Then change only the left-hand shape to take it into any song.
Common mistakes
- Skipping the mute. The (x) hits aren’t chord, they’re percussion. Without them the bounce flattens into a lifeless strum.
- Weighing down the up-stroke. The up (↑) should just graze the thin strings; matching the down-stroke’s force thickens it and drags the time.
- Running the subdivisions. The faster the pattern, the easier to push ahead — lock the tempo on the metronome before speeding up.
- Letting the tempo drift. Without a firm pulse the strum leaks — count along and hold the same time from the first bar to the last.
Guided practice
- Start all down. Strum the chord down (↓) on every stroke, one direction only.
- Add the up-stroke. Let the arm come back (↑) between hits — lighter, catching the treble strings.
- Add the mute. Bring in the x hits by resting the hand on the strings — that percussion is the bounce.
- Take it up on the metronome. Start slow, keep the pattern clean, and add a few BPM at a time.
You already get the logic of the groove. Putting it in time is where it enters your fingers: hear the pattern, follow the count and practice with a metronome — slow first — until every stroke lands in its place without rushing. That’s what Chord & Fret does, with guided audio and an adjustable tempo.
Practice in Chord & Fret →Variations & related patterns
With the strum steady, take it to actual Flamenco progressions: rhythm, chord changes and voice-leading in one exercise. That’s the Progressions by Rhythm feature in Chord & Fret.
See the genre’s progressions →Understanding the groove is the first step; the full practice — repetition, metronome, audio, progressions and review — happens in Chord & Fret. There this pattern stays saved in your study, to revisit later, play offline and track your progress.
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