Whole tone (C)
There is no half step anywhere: every note sits exactly one whole tone from its neighbor — hence the name. Without the half steps that pull the ear toward a resting point, nothing sounds like “home,” and the mood is floating, hazy, dreamlike. Because the pattern is perfectly regular, only two distinct versions of the scale exist — any transposition, in other words the same recipe started on another note, lands on one of those two. In practice it colors augmented dominants, the 7(#5) chords, a sound prized in Impressionist and modern writing; the #6 in the formula is the same pitch many books spell as b7.
Example: C – D – E – F# – G# – A#Formula: 1 – 2 – 3 – #4 – #5 – #6In the formula, the numbers are degrees — positions counted in the reference major scale; "b" lowers a half step and "#" raises one.
Family: Symmetric scales.
They repeat a regular intervallic pattern, which allows internal transpositions — the diminished scale, for instance, repeats its structure every minor third.
The same scale on all four instruments
In the diagrams, each dot carries its scale degree — 1 is the tonic, highlighted.
What you see above is one box of whole tone per instrument; the full map lives in the app. In Chord & Fret, you press play and watch each note light up on the diagram the instant it sounds; walk the scale's positions along the whole neck; and run it up, down or in a full round trip. Start free. Unlock everything with Pro. 100% offline. See it in Chord & Fret →