Chord & FretIjexá · Guitar
Ijexá guitar groove (afoxé)
Sound summary
The Ijexá pattern is a bass-and-chord figure for the guitar, in 2/4 straight (even subdivisions): it alternates thumb bass (B) and chord (A), one answering the other. It sounds like this: A↓ A↑ — A↓ A↓ — B —.
How to count it
The meter is 2/4: 2 beats per bar, counted in sixteenth-notes (four per beat). Say the beats: 1 e & a, 2 e & a. Keep the beat with your foot and follow the grid: each box is one subdivision.
The rhythm grid
B = bass (thumb) · A = chord · ↓ down-stroke · ↑ up-stroke · — = rest
The ↓/↑ direction follows the bowed-string arcada convention (ᴨ down, V up; Ribeiro 2017).
How to play it
Right hand
Split the right hand in two: the thumb drops the bass (B) on the pulse, then the chord (A) fills in — fingers or a down-stroke. Don’t stop the arm on the rests — it keeps moving in the air, it just doesn’t touch the strings.
Left hand
The fretting hand holds the chord firmly through the whole pattern — it owns the harmony while the right hand owns the rhythm. Change chords at the last instant of the bar, the hand already moving toward the next shape.
Example in Am
On Am, the bass (B) lands on A on the low string, the chord’s root: sound it on the beat and let the Am chord (A) complete right after. Use the diagram and the audio example.
Common mistakes
- Bass and chord landing together. The bass (B) comes first; the chord (A) answers after. If they collide the groove disappears — separate the two hands in time.
- Weighing down the up-stroke. The up (↑) should just graze the thin strings; matching the down-stroke’s force thickens it and drags the time.
- Running the subdivisions. The faster the pattern, the easier to push ahead — lock the tempo on the metronome before speeding up.
- Freezing the arm on a rest. It should keep going in the air, off the strings, and land on the next hit — the continuous motion is what holds the time.
Guided practice
- Start from the low end. Play just the B with the thumb, slow, watching each one land in place.
- Isolate the chord. Drop the bass and play only the A hits, feeling where they answer.
- Add the two voices. Bass then chord, always in that order, slow, until it plays itself.
- Take it up on the metronome. Start slow, keep the pattern clean, and add a few BPM at a time.
You already get the logic of the groove. Putting it in time is where it enters your fingers: hear the pattern, follow the count and practice with a metronome — slow first — until the bass and the chord sit apart in time. That’s what Chord & Fret does, with guided audio and an adjustable tempo.
Train with the metronome →Variations & related patterns
With the strum steady, take it to actual Ijexá progressions: rhythm, chord changes and voice-leading in one exercise. That’s the Progressions by Rhythm feature in Chord & Fret.
See the genre’s progressions →Understanding the groove is the first step; the full practice — repetition, metronome, audio, progressions and review — happens in Chord & Fret. There this pattern stays saved in your study, to revisit later, play offline and track your progress.
Open the trainer →