Funk · Electric guitar
Funk electric guitar rhythm: 16th-note chuck
The funk electric guitar rhythm in 2/4: the strum goes down (↓) and up (↑) and muted strokes (x) keep the groove. Beat by beat, one mark per sixteenth note: ↓↑x↑ ↓x↓x. Play the audio here in your browser, set the tempo anywhere from 50 to 200 BPM and follow the grid, which marks every subdivision.
Sound summary
For the electric guitar, Funk uses a chord strum, in 2/4 straight (even subdivisions): the chord (A) swings back and forth, down and up, with muted hits (x) driving the groove. In practice it sounds: A↓ A↑ (x) A↑ A↓ (x) A↓ (x).
How to count it
There are 2 beats per bar (2/4), split into sixteenth-notes (four per beat). Count out loud: 1 e & a, 2 e & a. Keep the beat with your foot and follow the grid: each box is one subdivision.
The rhythm grid
A = chord · ↓ down-stroke · ↑ up-stroke · x = muted · (x) = ghost (light graze)
The ↓/↑ direction follows the bowed-string arcada convention (ᴨ down, V up; Ribeiro 2017). The muted and ghost strokes follow Cantalice 2022.
How to play it
Right hand
The chord (A) swings: down (↓) with weight, up (↑) light, catching only the treble strings. Keep the arm loose, oscillating without stopping. On the (x), lay the hand on the strings as you strike — that muted “chka” is what lets the groove breathe.
Left hand
Keep the chord well pressed through the whole pattern — the left hand rules pitch, the right rules the bar. Only release the shape at the end of the bar, moving the hand ahead to the next one. On the muted hits (x), ease the finger pressure without leaving the neck: the strings stop ringing but stay under the fingers, ready for the next chord.
Example in E
Hold an E and apply the whole pattern to it — every hit lands on the same chord. That’s how you take the groove into any song: change only the left hand, the right hand’s rhythm stays the same. Hear the example below.
Common mistakes
- Skipping the mute. The (x) hits aren’t chord, they’re percussion. Without them the bounce flattens into a lifeless strum.
- Weighing down the up-stroke. The up (↑) should just graze the thin strings; matching the down-stroke’s force thickens it and drags the time.
- Rushing. Fast subdivisions are easy to run. Start slow with the metronome and only speed up once the pattern is clean.
- Losing the pulse. The time has to stay firm start to finish — count along and don’t let the pattern speed up or drag by accident.
Guided practice
- Start all down. Strum the chord down (↓) on every stroke, one direction only.
- Bring in the up-stroke. Let the arm rise (↑) lightly between hits, grazing the thin strings.
- Add the mute. Bring in the x hits by resting the hand on the strings — that percussion is the bounce.
- Take it up on the metronome. Start slow, keep the pattern clean, and add a few BPM at a time.
You’ve got the theory; now the time has to enter the body. Play along with the audio, follow the count and raise the tempo bit by bit until every stroke lands in its place without rushing. The Chord and Fret Metronome is free and keeps that drill steady.
Open the trainer →Variations & related patterns
Once the strum is steady, play the same pattern over Funk progressions: rhythm and chord changes in one exercise. In Chord and Fret, Progressions by Rhythm plays progressions from many styles, with diagrams and audio, free.
Train with progressions →