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Chord & Fret

C#7(b13) — dominant flat thirteenth

Also written Db7(b13) — the same chord, spelled the other way.

Notes in C#7(b13): C# – E# – G# – B – AFormula: 1 – 3 – 5 – b7 – b13

In the formula, the numbers count steps of the major scale starting from the note that names the chord; "b" lowers a half step, "#" raises one — and a slash names the bass note.

The 7(b13) is a dark dominant, with the thirteenth lowered. The tension pulls strongly toward resolution.

The same chord on all four instruments

C#7(b13), x 4 3 2 0 4C#7(b13)3214×DbFABAb
Guitar
C#7(b13), x 4 3 2 0 4C#7(b13)3214×DbFABAb
Electric guitar
C#7(b13), 7 6 6 9C#7(b13)62113ADbFB
Cavaquinho
C#7(b13), 2 1 1 2C#7(b13)2113ADbFB
Ukulele

Where to use it: A dark resolution, especially to a minor chord.

The shapes of C#7(b13) don't end on this page — the whole neck holds dozens. In Chord & Fret, you hear every shape strummed string by string, in each instrument's own voice; compare positions with their difficulty marked; and change the tuning — the shape rewrites itself. Start free. Unlock everything with Pro. Plays offline.

See the whole neck in Chord & Fret →

Part of the Altered dominants family.

Other chords in this family

C#7(b9)Db7(#9)Db7(#11)Db7alt

See all chord types and qualities →