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Chord & Fret

D7(b5) — dominant seventh flat five

Notes in D7(b5): D – F# – Ab – CFormula: 1 – 3 – b5 – b7

In the formula, the numbers count steps of the major scale starting from the note that names the chord; "b" lowers a half step, "#" raises one — and a slash names the bass note.

Here the fifth drops a semitone and the chord turns ambiguous on purpose: the same four notes serve two distant dominants (C7(b5) and F#7(b5)). That coincidence is the door to the tritone substitution.

The same chord on all four instruments

D7(b5), x x 0 1 1 2D7(b5)112××DAbCGb
Guitar
D7(b5), x x 0 1 1 2D7(b5)112××DAbCGb
Electric guitar
D7(b5), 4 1 1 0D7(b5)411GbAbCD
Cavaquinho
D7(b5), 1 2 2 3D7(b5)1234AbDGbC
Ukulele

Where to use it: Jazz, bossa and turnarounds — the natural step toward swapping one dominant for another.

This is just one shape of D7(b5). In Chord & Fret, you hear every shape strummed string by string, in each instrument's own voice; open every variation on the neck, grouped by bass note; and change the tuning — the shape rewrites itself. Start free. Unlock everything with Pro. Plays offline.

See the whole neck in Chord & Fret →

Part of the Sevenths family.

Other chords in this family

Dmaj7Dmaj7Dmaj7Dmaj7D7D7D7D7Dm7Dm7Dm7Dm7Dm(maj7)Dm7(b5)Ddim7D7(#5)

See all chord types and qualities →