Cm7(b5) on cavaquinho
On the cavaquinho, four steel strings tuned D–G–B–D pack the chord into a small, bright space — every finger counts. In this position the bass is Eb and the shape runs from fret 1 to 4. Its four steel strings give a bright, sharp attack that cuts through the mix and drives the beat.
Notes on C: C – Eb – Gb – BbFormula: 1 – b3 – b5 – b7In the formula, the numbers count steps of the major scale starting from the note that names the chord; "b" lowers a half step, "#" raises one — and a slash names the bass note.
Where to use it: In minor keys it is usually the chord that opens the famous ii–V — in other words, the two-chord pair that prepares the return home. Think Dm7b5 → G7 arriving at Cm.
The shapes of Cm7(b5) on cavaquinho don't end on this page — the whole neck holds dozens. In Chord & Fret, you hear every shape strummed string by string, in the instrument's own voice; open every variation on the neck, grouped by bass note; and set a capo — the diagrams redraw above it. Start free. Unlock everything with Pro. 100% offline.
Unlock in Chord & Fret →Part of the Sevenths family.