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Chord & Fret

Cm7(b5) on cavaquinho

Cm7(b5) on cavaquinho — frets 1 3 1 4Cm7(b5)1324EbBbCGb
Frets: 1 3 1 4

On the cavaquinho, four steel strings tuned D–G–B–D pack the chord into a small, bright space — every finger counts. In this position the bass is Eb and the shape runs from fret 1 to 4. Its four steel strings give a bright, sharp attack that cuts through the mix and drives the beat.

Notes on C: C – Eb – Gb – BbFormula: 1 – b3 – b5 – b7

In the formula, the numbers count steps of the major scale starting from the note that names the chord; "b" lowers a half step, "#" raises one — and a slash names the bass note.

Where to use it: In minor keys it is usually the chord that opens the famous ii–V — in other words, the two-chord pair that prepares the return home. Think Dm7b5 → G7 arriving at Cm.

The shapes of Cm7(b5) on cavaquinho don't end on this page — the whole neck holds dozens. In Chord & Fret, you hear every shape strummed string by string, in the instrument's own voice; open every variation on the neck, grouped by bass note; and set a capo — the diagrams redraw above it. Start free. Unlock everything with Pro. 100% offline.

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Part of the Sevenths family.

See the full explanation of Cm7(b5) →