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Chord & Fret

Harmonic field of F# minor on guitar

F# minor: F# – G# – A – B – C# – D – E. In the shapes below, the tonic opens with the bass on F#. On the guitar, six strings give the chord room to breathe — some positions use them all, others ask you to mute the lowest ones. Its hollow wooden body gives every chord a warm, natural ring that blooms and fades on its own.

F#m7, 2 4 2 2 2 2F#m7131111F#C#EAC#F#
i · tonic2 4 2 2 2 2
G#m7b5, 4 x 4 4 3 xG#m7b52341G#×F#BD×
ii° · subdominant4 × 4 4 3 ×
Amaj7, x 0 2 1 2 0Amaj7213×AEG#C#E
III · tonic× 0 2 1 2 0
Bm7, x 2 0 2 0 2Bm7123×BDABF#
iv · subdominant× 2 0 2 0 2
C#m7, x 4 6 4 5 4C#m7413121×C#G#BEG#
v · dominant× 4 6 4 5 4
Dmaj7, x x 0 2 2 2Dmaj7111××DAC#F#
VI · tonic× × 0 2 2 2
E7, 0 2 0 1 0 0E721EBDG#BE
VII · dominant0 2 0 1 0 0

This is the natural-minor field. In practice the v often becomes V (major) or V7 — borrowed from the harmonic minor — to create the leading tone that pulls back to the tonic.

These are the first positions of every degree of F# minor on guitar. In Chord & Fret, the Circle of Fifths opens the full field — every degree with all its positions, audio and the key's secondary dominants. Open in Chord & Fret →

See the full harmonic field of F# minor →