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Chord & Fret

Bb7alt — altered dominant

Also written A#7alt — the same chord, spelled the other way.

Notes in Bb7alt: Bb – D – F# – Ab – C#Formula: 1 – 3 – #5 – b7 – #9

In the formula, the numbers count steps of the major scale starting from the note that names the chord; "b" lowers a half step, "#" raises one — and a slash names the bass note.

The 7alt is not a fixed chord but an instruction: keep the root, the third and the seventh, and alter the tensions (b9, #9, #11, b13). Nobody plays them all at once — you pick two, and the tension peaks right before the resolution.

The same chord on all four instruments

Bb7alt, x 1 0 1 2 2Bb7alt1234×BbDAbDbGb
Guitar
Bb7alt, x 1 0 1 2 2Bb7alt1234×BbDAbDbGb
Electric guitar

Where to use it: The last dominant before the return home, above all in a minor key; the signature of jazz.

This is just one shape of Bb7alt. In Chord & Fret, you hear every shape strummed string by string, in each instrument's own voice; compare positions with their difficulty marked; and set a capo — the diagrams redraw above it. Start free. Unlock everything with Pro. Plays offline.

See the whole neck in Chord & Fret →

Part of the Altered dominants family.

Other chords in this family

Bb7(b9)Bb7(#9)Bb7(#11)Bb7(b13)

See all chord types and qualities →