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Chord & Fret

Harmonic field of Eb minor on cavaquinho

Eb minor: Eb – F – Gb – Ab – Bb – Cb – Db. In the shapes below, the tonic opens with the bass on Eb. On the cavaquinho, four steel strings tuned D–G–B–D pack the chord into a small, bright space — every finger counts. Its four steel strings give a bright, sharp attack that cuts through the mix and drives the beat.

Ebm7, 1 3 2 4Ebm71324EbBbDbGb
i · tonic1 3 2 4
Fm7b5, 3 1 0 1Fm7b5312FAbBEb
ii° · subdominant3 1 0 1
Gbmaj7, 4 3 2 3Gbmaj74213GbBbDbF
III · tonic4 3 2 3
Abm7, 6 4 4 4Abm743111AbBEbGb
iv · subdominant6 4 4 4
Bbm7, 3 3 2 6Bbm722314FBbDbAb
v · dominant3 3 2 6
Cbmaj7, 4 4 4 8Cbmaj741114GbBEbBb
VI · tonic4 4 4 8
Db7, 3 4 2 3Db72413FBDbF
VII · dominant3 4 2 3

This is the natural-minor field. In practice the v often becomes V (major) or V7 — borrowed from the harmonic minor — to create the leading tone that pulls back to the tonic.

These are the first positions of every degree of Eb minor on cavaquinho. In Chord & Fret, the Circle of Fifths opens the full field — every degree with all its positions, audio and the key's secondary dominants. Open in Chord & Fret →

See the full harmonic field of Eb minor →